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Tãƒâ©lãƒâ©charger James Bond Never Say Never Again

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1997 James Bond film directed by Roger Spottiswoode

Tomorrow Never Dies
A man wearing an evening dress holds a gun. On his sides are a white woman in a white dress and an Asian woman in a red, sparkling dress holding a gun. On the background are monitors with scenes of the film, with two at the top showing a man wearing glasses holding a baton. On the bottom of the screen are two images of the 007 logo under the title "Tomorrow Never Dies" and the film credits.

Theatrical release poster by Keith Hamshere and George Whitear
Directed by Roger Spottiswoode
Written by Bruce Feirstein
Based on James Bond
by Ian Fleming
Produced past Michael G. Wilson
Barbara Broccoli
Starring
  • Pierce Brosnan
  • Jonathan Pryce
  • Michelle Yeoh
  • Teri Hatcher
  • Joe Don Baker
  • Judi Dench
Cinematography Robert Elswit
Edited by Michel Arcand
Dominique Fortin
Music by David Arnold

Product
companies

Eon Productions
United Artists
Distributed by MGM Distribution Co. (United states of america)
United International Pictures (International)

Release dates
  • 9 December 1997 (1997-12-09) (London, premiere)
  • 12 December 1997 (1997-12-12) (United Kingdom)
  • xix Dec 1997 (1997-12-19) (U.s.)

Running fourth dimension

 119 minutes
Countries United Kingdom[ane]
The states
Language English language
Budget $110 million
Box office $333 one thousand thousand[two]

Tomorrow Never Dies is a 1997 spy film and the eighteenth in the James Bond series to be produced by Eon Productions, and the second to star Pierce Brosnan as the fictional MI6 agent James Bond. Directed past Roger Spottiswoode, with the screenplay written past Bruce Feirstein, the film follows Bail equally he attempts to stop Elliot Carver, a power-mad media mogul, from engineering globe events to initiate World State of war III.

The pic was produced past Michael G. Wilson and Barbara Broccoli, and was the outset James Bond pic made after the death of producer Albert R. Broccoli, to whom the flick pays tribute in the finish credits. Filming locations included France, Thailand, Deutschland, Mexico and the United Kingdom. Tomorrow Never Dies performed well at the box role, grossing over $333 million worldwide, becoming the fourth-highest-grossing film of 1997 and earned a Golden Earth nomination despite mixed reviews. While its functioning at the domestic box office surpassed that of its predecessor, GoldenEye,[3] it was the only i of Pierce Brosnan's Bond films not to open at number one at the box role, as information technology opened the aforementioned twenty-four hours as Titanic, and finished at number 2 that week.[4]

Plot [edit]

MI6 sends James Bond, agent 007, into the field to reconnoiter a terrorist arms bazaar on the Russian border. Despite M'due south insistence on letting 007 end his reconnaissance, Majestic Navy Admiral Roebuck orders the frigate HMS Chester to fire a Harpoon missile at the boutique. Bail then discovers two nuclear torpedoes mounted on an L-39 Albatros, and is forced to pilot the L-39 away seconds before the bazaar is destroyed by the missile considering the missile is out of range to be aborted.

Media baron Elliot Carver starts his plans to use an encoder obtained at the bazaar by his henchman, cyberterrorist Henry Gupta, to provoke state of war betwixt China and the Britain. Meaconing the GPS signal using the encoder, Gupta sends the frigate HMS Devonshire off-form into Chinese-occupied waters in the Southward China Sea, where Carver'due south stealth ship, commanded by Mr. Stamper, ambushes information technology – sinking it in the procedure – and steals ane of its missiles, while shooting down a Chinese MiG fighter jet investigating the scene and killing off the Devonshire's survivors with weaponry loaded with Chinese ammunition. The British Minister of Defence orders Roebuck to deploy the fleet to investigate the sinking of the frigate, and demanding retaliation, leaving M but 48 hours to investigate its sinking and avert a war.

Chiliad sends Bond to investigate Carver because MI6 became suspicious of him after he releases news articles most the crisis hours before MI6 had learned of it. Bond travels to Hamburg to seduce Carver's wife, Paris (an ex-girlfriend of Bail'southward), to get data that would help him enter Carver'south newspaper headquarters. He defeats three of Stamper'due south men and cuts Carver off the air during the inaugural broadcast of his satellite network. Carver then discovers the truth virtually Paris and Bond and orders both of them killed. Meanwhile, at Bond'due south hotel room, he and Paris reconcile. The next day, she provides him the information he needs to infiltrate Carver'due south paper mill to recover the GPS encoder. Bail goes to the newspaper manufactory and steals the encoder. While he is gone, Carver's assassin Dr. Kaufman kills Paris. Later Bond returns to find Paris' body, Kaufman attempts to shoot him. Bond is able to kill Kaufman and escape, protecting the encoder.

At a U.S. Air Force base in Okinawa, Bond learns that the encoder had been tampered with, and goes to the South China Sea to investigate the wreck (which was actually in Vietnamese waters). He and Wai Lin, a Chinese Ministry of Land Security agent on the aforementioned case, explore the sunken ship and discover one of its prowl missiles missing, only after reaching the surface they are captured by Stamper and taken to the CMGN tower in Saigon. They soon escape and decide to interact on the investigation. The two contact the Royal Navy and the People's Liberation Army Air Force to explicate Carver'southward scheme; Carver plans to destroy nigh of the Chinese government with the stolen missile, allowing a corrupt Chinese general to pace in and negotiate a truce between U.k. and China, both of which volition have waged a naval war. Once the conflict is over, Carver volition be given exclusive broadcasting rights in China for the adjacent century. Finding Carver's stealth send, they board it to preclude him from firing the missile at Beijing.

During the endeavour, Wai Lin is captured, forcing Bond to devise a second plan. Bond captures Gupta to apply as his own hostage, merely Carver kills Gupta claiming he has "outlived his contract." Bail detonates an explosive, damaging the ship and rendering it visible to the Chinese and British navies' radars, and vulnerable to a subsequent Royal Navy attack. While Wai Lin disables the engines, she is recaptured by Stamper. Bond kills Carver with his own sea drill and attempts to destroy the warhead with detonators, simply Stamper attacks him, and sends a chained Wai Lin into the water. Bond traps Stamper in the missile firing mechanism and saves Wai Lin every bit the missile explodes, destroying the ship and killing Stamper. Bond and Wai Lin share a romantic moment amidst the wreckage as HMS Bedford searches for them.

Cast [edit]

  • Pierce Brosnan as James Bond, MI6 agent 007.
  • Jonathan Pryce equally Elliot Carver, a media mogul with scant regard for any of his deportment taken as a result of his media ambition.
  • Michelle Yeoh as Colonel Wai Lin, a skilled Chinese spy and Bond's ally.
  • Teri Hatcher as Paris Carver, a former girlfriend of Bond who is now Carver'south trophy wife.
  • Götz Otto as Richard Stamper, Carver'southward henchman, who is skilled in the fine art of Chakra torture.[5]
  • Ricky Jay as Henry Gupta, an American "Techno-terrorist" in the utilise of Carver.
  • Joe Don Baker every bit Jack Wade, CIA liaison, reprising his office from GoldenEye.
  • Vincent Schiavelli as Dr. Kaufman, a professional assassinator used past Elliot Carver.
  • Judi Dench equally M, reprising her part from GoldenEye.
  • Desmond Llewelyn every bit Q.
  • Samantha Bond as Miss Moneypenny.
  • Daphne Deckers as PR person of Carver Media Group Network.
  • Geoffrey Palmer every bit Admiral Roebuck, 1000's Imperial Navy colleague.
  • Colin Salmon as Charles Robinson, Chiliad'south Chief of Staff.
  • Julian Fellowes as the British Government minister of Defence force.
  • Philip Kwok every bit Full general Chang, Chinese general who is helping Carver start a war between Red china and Great britain.
  • Cecilie Thomsen as Professor Inga Bergstrom.
  • Gerard Butler and Julian Rhind-Tutt as crewmen of HMS Devonshire.
  • Michael Byrne as Admiral Kelly, commander of the Royal Navy chore force sent to the Southward Mainland china Sea.

Product [edit]

Bond 18 was greenlit afterward the positive public reception to the teaser trailer for GoldenEye in May 1995.[6] Following the success of GoldenEye in reviving the Bond serial, in that location was pressure to recreate that success in the film's follow-up production. This pressure came from MGM which, along with its new possessor, billionaire Kirk Kerkorian, wanted the moving-picture show's release to coincide with their public stock offering.[7] Co-producer Michael K. Wilson too expressed concern regarding the public's expectations subsequent to the success of GoldenEye, commenting: "You realize that there's a huge audience and I guess you don't want to come up out with a film that's going to somehow disappoint them."[7] This was the get-go Bond picture to be made afterwards the death of Albert R. Broccoli, who had been involved with the series' production since its beginning; the motion-picture show is dedicated to his retentiveness. The rush to consummate the moving-picture show collection the budget to $110 million.[vii] [viii] The producers were unable to persuade Martin Campbell, the director of GoldenEye, to return; his agent said that "Martin just didn't want to practise 2 Bond films in a row." Instead, Roger Spottiswoode was chosen in September 1996.[9] Spottiswoode had previously offered to direct GoldenEye while Timothy Dalton was still in the leading part.[vi] [x]

Writing [edit]

Every bit had been the case with several previous films in the series, an entirely original story was required equally in that location remained no Ian Fleming novels or stories to adapt. The scriptwriting procedure was finished very late due to lengthy disputes.[ citation needed ]

Initial writers on the project included John Cork, Richard Smith, and novelist Donald E. Westlake. In 1995, Westlake wrote ii story treatments in collaboration with Wilson, both of which featured a villain who plans to destroy Hong Kong with explosives on the eve of the city's July 1997 transfer of sovereignty to China.[11] Westlake used some of his ideas for a novel he completed the next year, though it was not published until 2022 under the title Forever and a Death. Manager Roger Spottiswoode said that, in Jan 1997, MGM had a script that was also focused on the Hong Kong handover; even so, this plot could not be used for a moving-picture show opening at the end of the year, so they had to outset "almost from scratch at T-minus zippo!"[12]

Bruce Feirstein, who had worked on GoldenEye, wrote the initial script. Feirstein claimed that his inspiration was his own experience working with journalism and viewing both Heaven News and CNN's 24-hour news coverage of the Gulf War, stating that he aimed to "write something that was grounded in a nightmare of reality."[half dozen] [thirteen] Feirstein'south script was and then passed to Spottiswoode, who gathered seven Hollywood screenwriters in London to brainstorm, eventually choosing Nicholas Meyer to perform rewrites.[9] The script was besides worked on by Dan Petrie, Jr. and David Campbell Wilson before Feirstein was brought in for a terminal smooth.[fourteen] Although Feirstein retained sole writing credit in the flick and in the advertising, Meyer, Petrie and Wilson were given credit with Feirstein on the title page of the movie's novelization by Raymond Benson. While many reviewers compared Elliot Carver to Rupert Murdoch, Feirstein based the character on Robert Maxwell, with Carver's reported death begetting similarities to that of Maxwell'south.[15]

Wilson stated, "We didn't have a script that was ready to shoot on the beginning twenty-four hours of filming", while Pierce Brosnan said, "We had a script that was not functioning in sure areas."[7]

The title was inspired past the Beatles' song "Tomorrow Never Knows".[fifteen] The eventual title came about past accident: one of the potential titles was Tomorrow Never Lies (referring to the Tomorrow newspaper in the plot), and this was faxed to MGM. Nonetheless, due to a typing fault, this became Tomorrow Never Dies, a title which MGM found so attractive that they insisted on using it.[12] The title was the offset not to have any relation to Fleming's life or work.[15]

Casting [edit]

Teri Hatcher was 3 months pregnant when shooting started, although her publicist stated the pregnancy did non affect the production schedule.[16] Hatcher later regretted playing Paris Carver, saying "It'south such an artificial kind of character to be playing that you don't become whatsoever special satisfaction from it."[17] Actress Sela Ward had auditioned for the part, simply lost out, reportedly existence told the producers wanted her just 10 years younger.[18] Hatcher, at 32, was 7 years Ward's junior and was in the midst of playing Lois Lane on the television prove Lois & Clark: The New Adventures of Superman for which she had been voted the "Sexiest Woman on Television" by readers of Television Guide the previous year. According to Brosnan, Monica Bellucci also screen tested for the role simply as Brosnan remarked, "the fools said no."[19] Daphne Deckers, who portrays the PR woman, also confirms that she saw Bellucci the aforementioned twenty-four hour period she herself auditioned.[20] Bellucci would later go on to play a role in the 24th Bond movie, Spectre.

The role of Elliot Carver was initially offered to Anthony Hopkins (who also had been offered a office in GoldenEye), but he declined in favour of The Mask of Zorro.[9] [14]

Natasha Henstridge was rumoured every bit bandage in the pb Bond Girl role,[21] but eventually, Yeoh was confirmed in that role. Brosnan was impressed, describing her as a "wonderful actress" who was "serious and committed near her work".[22] She reportedly wanted to perform her own stunts, but was prevented considering director Spottiswoode ruled it too dangerous and prohibited past insurance restrictions.[23] [24]

When Götz Otto was chosen in for casting, he was given twenty seconds to introduce himself; his hair had recently been cropped short for a TV role. Saying, "I'yard big, I'g bad, and I'm German language", he did it in five.[25] [ ameliorate source needed ]

Filming [edit]

A modified BMW 7 Series motorcar with a steering wheel on the back seat, seen at an exhibition at Museum Industriekultur, Nuremberg.

With Vic Armstrong directing the second unit, filming of the $xi million[26] four-infinitesimal pre-title sequence began on 18 Jan 1997 at Peyresourde-Balatestas Aerodrome, Peyragudes in the French Pyrenees. The plane Bond is seen to purloin in the movie was a Czech-built Aero Vodochody L-39ZO Albatros weapons jet trainer,[27] [28] supplied by a British company and flown past stunt pilots Tony "Taff" Smith and Marking (son of Ray) Hanna.[26] [29] Afterward completing work in French republic, the second unit moved on to Portsmouth to moving-picture show the scenes where the Royal Navy prepares to engage the Chinese, with HMSWestminster(F237) standing in for the various fictional Blazon 23 Frigates in the story.[xiv] The primary unit began filming on 1 April. They were unable to use Leavesden Studios, which they had constructed from an abandoned Rolls-Royce factory for GoldenEye, as George Lucas was using information technology for Star Wars: Episode I – The Phantom Menace, so instead they constructed sound stages in another derelict industrial site nearby. They also used the 007 Phase at Pinewood Studios. The scene at the "U.Due south. Air Base in the South Prc Sea" where Bond hands over the GPS encoder was actually filmed in the expanse known as Bluish Department at RAF Lakenheath. The bounding main landing used the vast tank built for Titanic in Rosarito, Baja California.[thirty] The MH-53J in the film was from the US Air Forcefulness's 352d Special Operations Group at RAF Mildenhall.[9]

Some scenes were planned to be filmed on location in Ho Chi Minh City, and the production had been granted a visa. It would take been the first major motion picture to be shot in Vietnam since the Vietnam State of war. However, the visa was later rescinded by Vietnamese Prime Government minister Võ Văn Kiệt two months later planning had begun, forcing filming to motion to Bangkok.[6] Bond spokesman Gordon Arnell claimed the Vietnamese were unhappy with crew and equipment needed for pyrotechnics, with a Vietnamese official proverb it was due to "many complicated reasons".[31] Anthony Waye says he believed the decision was acquired afterward Vietnam'southward Communist government viewed the opening credits of GoldenEye, which featured "semi-naked ladies smashing up hammer-and-sickle emblems with sledgehammers, illustrating the fall of communism."[6] 2 locations from previous Bail films were used: Brosnan and Hatcher's love scene was filmed at Stoke Park, which had been featured in Goldfinger, and the bay where they search for Carver'due south stealth gunkhole is Phang Nga Bay, previously used for The Homo with the Golden Gun.[14] [30]

Spottiswoode tried to innovate in the action scenes. Since the director felt that after the tank chase in GoldenEye he could not use a bigger vehicle, a scene with Bond and Wai Lin on a BMW motorcycle was created. Another innovation was the remote-controlled automobile, which had no visible driver – an effect achieved past adapting a BMW 750i to put the steering bicycle on the back seat.[32] The auto chase sequence with the 750i took iii weeks to moving-picture show, with Brent Cross car park being used to simulate Hamburg – although the final leap was filmed on location.[thirty] A stunt involving setting fire to three vehicles produced more smoke than predictable, causing a member of the public to call the burn down brigade.[33] The upwards camera angle filming the HALO jump created the illusion of having the stuntman opening its parachute close to the water.[34]

Spottiswoode did not render to directly the adjacent motion picture; he said the producers asked him, simply he was besides tired.[12] Brosnan and Hatcher were reported to have feuded briefly during filming due to her arriving late onto the ready one day. The matter was quickly resolved, though, and Brosnan apologised to Hatcher after realising she was pregnant and was late for that reason.[19]

Tomorrow Never Dies marked the start appearance of the Walther P99 as Bond'south pistol. Information technology replaced the Walther PPK that the character had carried in every Eon Bond film since Dr. No in 1962, with the exception of Moonraker in which Bond was not seen with a pistol. Walther wanted to debut its new firearm in a Bail pic, which had been one of its most visible endorsers. Previously, the P5 was introduced in Octopussy. Bond would use the P99 until Daniel Craig reverted to the PPK as 007 in Quantum of Solace in 2008.

Music [edit]

Prolific composer John Barry was in talks to return to the James Bond films for the first fourth dimension in a decade but could non reach an agreement over his fee according to his then-agent Richard Kraft.[35] Barbara Broccoli afterwards chose David Arnold to score Tomorrow Never Dies on a recommendation from Barry.[36] Arnold had come to Barry's attention through his successful cover interpretations in Shaken and Stirred: The David Arnold James Bond Project, which featured major artists performing the former James Bond title songs in new arrangements. Arnold said that his score aimed for "a archetype sound but [with] a modern approach", combining techno music with a recognisably Barry-inspired "classic Bond" sound—notably Arnold borrowed from Barry'south score for From Russia with Love. The score was done across a period of six months, with Arnold writing music and revising previous pieces as he received edited footage of the film.[37] The music for the indoor machine hunt sequence was co-written with the band Propellerheads, who had worked with Arnold on Shaken and Stirred. The soundtrack was well received past critics with Christian Clemmensen of Filmtracks describing it every bit "an excellent tribute to the entire serial of Bail score".[38]

At first, the theme song was to be written by Arnold himself, with the assistance of lyricist Don Black and vocaliser-songwriter David McAlmont, who recorded the demo. Nonetheless, MGM wanted a more pop artist, and invited various singers to write songs before one was picked through a competitive process.[39] There were around twelve submissions, including songs from Swan Lee, Lurid, Saint Etienne, Marc Almond, and Sheryl Crow.[40] Crow'due south song was chosen for the master titles. Arnold's composition, "Surrender", performed by 1000.d. lang, was still used for the end titles, and features the aforementioned prominent melodic motif equally the film's score.[38] This was the quaternary Bond film to have different opening and endmost songs. Pulp's effort was re-titled as "Tomorrow Never Lies" and appeared as a b-side on their 1997 unmarried "Help The Anile". The original "Tomorrow Never Dies" crude mix of the song wa somewhen released on the bonus disc of the This Is Hardcore deluxe edition in 2006. Moby created a remake of the "James Bond Theme" to be used for the movie. Two unlike versions of the soundtrack anthology were released, the commencement featuring only music from the kickoff one-half of the picture, and the 2nd rectifying this but cutting several tracks, including the songs, to make room for the missing score tracks.

Release and reception [edit]

The motion picture had a World Charity Premiere at The Odeon Leicester Foursquare, on 9 December 1997; this was followed past an afterwards premiere party at Bedford Square, home of original Ian Fleming publisher, Jonathan Cape.[41] The flick went on general release in the UK and Republic of ireland on 12 December and in well-nigh other countries during the following week.[42] Information technology opened at number 2 in the US, with $25,143,007 from two,807 cinemas – average of $8,957 per cinema – behind Titanic, which would go the highest-grossing film of all time upward to that point. Tomorrow Never Dies ultimately accomplished a worldwide gross of over $330 million,[43] although it did not surpass its predecessor GoldenEye, which grossed almost $20 million more.[44]

Rotten Tomatoes gave the film a 57% rating based on 77 reviews. The site'south consensus states: "A competent, if sometimes by-the-numbers entry to the 007 franchise, Tomorrow Never Dies may non boast the most original plot only its action sequences are genuinely thrilling."[45] On Metacritic the pic has a score of 52% based on reviews from 38 critics, indicating "mixed or boilerplate reviews".[46] Audiences polled past CinemaScore gave the film an average class of "A-" on an A+ to F scale.[47]

In the Chicago Sun-Times, Roger Ebert gave the motion-picture show three out of four-stars, saying "Tomorrow Never Dies gets the job done, sometimes excitingly, oftentimes with way" with the villain "slightly more contemporary and plausible than usual", bringing "some subtler-than-usual satire into the motion picture".[48] James Berardinelli described information technology equally "the best Bail motion-picture show in many years" and said Brosnan "inhabits his character with a suave confidence that is very like Connery's."[49] Kenneth Turan of the Los Angeles Times, thought a lot of Tomorrow Never Dies had a "stodgy, been-there feeling", with little change from previous films.[50] Charles Taylor wrote for Salon.com that the film was "a flat, impersonal matter".[51]

The title song sung by Sheryl Crow was nominated for a Golden World for "All-time Original Vocal – Moving-picture show" and a Grammy for "Best Song Written Specifically for a Motion Picture or for Television". The picture received four nominations for Saturn Awards, with Brosnan winning "Best Actor". It also won a MPSE Gilded Reel Award for "Best Audio Editing – Foreign Feature" and a BMI Film Music Award.[52]

The original UK release received diverse cuts in scenes of violence and martial arts weaponry, to reduce the impact of audio effects and to receive a more than box-office-friendly 12 certificate. Further cuts were made to the video/DVD release to retain this rating. These edits were restored for the Ultimate Edition DVD release in the U.k., which was consequently upgraded to a 15 certificate.[53] However, upon the release of the Blu-ray in 2012, it was rated back down to a 12 uncut.[54] [55]

Retrospective reviews [edit]

In the wake of its original release, critics and audiences have praised Tomorrow Never Dies for its prescience. Den of Geek, on the moving-picture show's twentieth anniversary, observed of the moving-picture show's plot: "Information technology's an improbable ready-up which was probable intended as a satire of Murdoch's unaccountable media empire, but the risks of such technological manipulation accept since proved to exist frighteningly plausible." Den of Geek too highlights that "engineering wasn't the simply modern danger to be pre-empted by Tomorrow Never Dies – information technology as well offers a revealing peek into the dislocated state of the British national psyche, which might help to explain the state's ongoing Brexit debates."[56] Similarly, HeadStuff highlights its relevance in 2020, noting that "some modern critics argue that Carver's emphasis on traditional journalism appointment the film and that if the Internet existed to such an extent equally it does twenty years later, his plan would be instantly foiled... non really certain those people have been following current events over the past two years."[57] "Far Out Magazine" highlighted Brosnan's performance, when his Bond happens upon the deceased Paris Carver in his hotel room: "There's more substance here in a four-minute run into than Brosnan plant over four whole films."[58]

Appearances in other media [edit]

Tomorrow Never Dies was the first of three Bond films to be adapted into books by then-current Bond novelist Raymond Benson. Benson'due south version is expanded from the screenplay including boosted scenes with Wai Lin and other supporting characters non in the film. The novel traces Carver's background as the son of media mogul Lord Roverman, whom Carver blackmails into suicide, afterward taking over his concern.[59] The novel too attempts to merge Benson'due south series with the films, especially past standing a heart-of-the-road approach to John Gardner's continuity. Notably it includes a reference to the picture version of You Only Live Twice where he states that Bond was lying to Miss Moneypenny when he said he had taken a form in Asian languages. Tomorrow Never Dies also mentions Felix Leiter, although information technology states that Leiter had worked for Pinkertons Detective Agency, which is thus sectional to the literary series. Subsequent Bond novels by Benson were affected by Tomorrow Never Dies, specifically Bond's weapon of choice existence changed from the Walther PPK to the Walther P99. Benson said in an interview that he felt Tomorrow Never Dies was the best of the iii novelisations he wrote.[60]

The moving picture was also adapted into a third-person shooter PlayStation video game, Tomorrow Never Dies. The game was developed by Blackness Ops and published by Electronic Arts on 16 November 1999. Game Revolution described it equally "actually just an empty and shallow game",[61] and IGN said information technology was "mediocre".[62]

Come across also [edit]

  • Outline of James Bond
  • Sea Shadow (IX-529), the boat that inspired the design of Carver'due south stealth gunkhole

References [edit]

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External links [edit]

  • Official website
  • Tomorrow Never Dies at IMDb
  • Tomorrow Never Dies at AllMovie
  • Tomorrow Never Dies at Box Part Mojo

renkensmagal.blogspot.com

Source: https://en.wikipedia.org/wiki/Tomorrow_Never_Dies

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